Imagem em movimento: o olhar fotográfico como ferramenta cinematográfica e documental

Abstract

This work brings as a product the installation “RUA”, composed of moving images, through projections and television devices, divided by the methods of a location: an old mansion. The document and the direction of photography here are together, as elements articulated by the cinematic universe, using a "street photography" as a photographic perspective directly linked to the documentary genre. When zooming into an audiovisual language, use GIF as a vehicle, use it as a language tool. The object of this work is the daily life of the child population that is part of an attempt to access a second layer of people living in the city, from a closer and more intimate perspective. An installation, a product of this work, aims to offer the viewer a visual experience or to become present in simple everyday moments portrayed in the work. Throughout our undergraduate degree in Film and Audiovisual, establish bonds and coexistence. The general objective of this project was realized, as the product of this work, an audiovisual installation of moving images, with photographs produced in the city street, practiced as an instrument of observation and registration of a social diary, without registration of exhibition. Keywords: Street Photography; installation; daily record.