Piracema-piracema e as repercussões de uma performance com nu artístico em Goiás-GO

Abstract

The theme of this work is the study of the unfolding of an artistic nude presented in the Piracema-Piracema performance, at the XIII Goiás Arts Festival, held in the city of Goiás, in 2015, produced by the Federal Institute of Education, Science and Technology of Goiás, Câmpus Cidade de Goiás. The general objective, therefore, was to contextualize Performance Art, in contemporary art and visual arts, in general, illustrating it with the respective performance, unveiling the artists' relations with the body and how the city understands the artistic nude. Through qualitative research of bibliographic revision, in fundamental works on performance, such as Glusberg (2013) and Goldberg (2015), among scientific articles, image bank, and analysis of the perceptions about the fact, from semi-structured interviews, directed to the coordinator of that edition of the Festival and the then Pro-Dean of Extension of the IFG on that date, as well as one of the performers and two other plastic artists residing in Goiás, through an interview presented in Annex 1. In addition, it was necessary to develop of a Free and Informed Consent Term so that the interviewees can give their consent and authorization for acceptance for this work, exposed in Appendix 1. From the path developed in this work, walking to know concepts and contexts of performance art, its origins and the debate about nudity in the field of art, it was possible to notice that nudity still causes strangeness even though it is present in history of art since prehistory.